Man with a Blue Scarf

Man with a Blue Scarf

On Sitting for a Portrait by Lucian Freud

  1. Martin Gayford
See Inside
  • ISBN 9780500238752
  • 22.90 x 15.20 cm
  • Hardback
  • 248pp
  • 64 Illustrations, 58 in colour
  • First published 2010
‘One of the best and most continually fascinating books about painting in recent memory ’ – Another Magazine
'If it is Freud who dominates the book, it is Gayford's achievement to bring him out and to do so with wit and humour as well as acute intelligence. 'Man with a Blue Scarf' is literally inimitable – no one else is going to get this opportunity – but it contains a lot that critics and even novelists can learn from. It's the real deal.'– Guardian Art and Design
‘A journal, an act of confession, a character study of Freud, a piecemeal survey of art history and an investigation into the practicalities of portraiture … stands a good chance of becoming a set work for students. It would be a rarity on a reading list – a book that’s not just read but relished’ – The Spectator
'Gayford's observations and Dawson's photos provide a unique insight into the working habits of the greatest living painter of the human frame in all its infinite variety.' – New Statesman

See the obituary of Lucian Freud in the Economist on 22 July 2011
See links to more press reviews of 'Man with a Blue Scarf'

Man with a Blue Scarf is a book unlike any other: the inside story of how it feels to pose for a remarkable artist, and to be transformed into a work of art. Full of wry and revealing observations, this is among the most original, enjoyable and informative books about art.

Lucian Freud, widely regarded as the greatest figurative painter of our time, spent seven months painting a portrait of the art critic Martin Gayford.
Lucian Freud with Martin Gayford
Photo: David Dawson

The daily narrative takes the reader into that most private place, the artist’s studio and to the heart of the working methods of this modern master – both technical and subtly psychological. From this emerges an understanding of what a portrait is, but something else is also built up: a portrait, in words, of Freud himself.

This is not a biography, but a series 
of close-ups: the artist at work, and in conversation in restaurants, taxis and his studio. It takes the reader into the company of a painter for whom Picasso, Giacometti, Francis Bacon, George Orwell and W.H. Auden were friends and contemporaries.

The book is illustrated with many of Lucian Freud’s other 
works. Photographs taken by David Dawson of Freud at work are here as well as images by earlier artists discussed by Freud with Gayford such as Van Gogh and Titian.

Martin Gayford is a critic, writer and curator. Among his previous books are The Yellow House: Van Gogh, Gauguin and 
Nine Turbulent Weeks in Arles and Constable in Love. In 2009 he was co-curator of the exhibition ‘Constable Portraits’ at the National Portrait Gallery, London. In the past he has been art critic of the Spectator and Sunday Telegraph and is now 
chief art critic for Bloomberg News.

Also of interest
Lucian Freud: Paintings
Painting People: The State of the Art
Realism in 20th Century Painting
7 Reece Mews: Francis Bacon's Studio