Camouflage

Camouflage

(in association with the Imperial War Museum)
  1. Tim Newark
  2. Introduction by Jonathan Miller
See Inside
  • ISBN 9780500287101
  • 27.00 x 24.60 cm
  • Paperback
  • 192pp
  • 280 Illustrations, 248 in colour
  • First published 2009
‘Stylish and extravagantly illustrated … excellent’ – Time Out
‘Fascinating … traces the often subversive story of this design classic’ – The Gloss Magazine

Camouflage has become a global cult in today’s fashion and design world. Its fascinating story tells of the interplay between military developments and the worlds of art, design and popular culture on the other.

The animal kingdom provides examples of all the essential principles of camouflage: the chameleon, whose colours change to merge with its setting; the zebra, whose vivid stripes disrupt its outline and make it more difficult for predators to sight from a distance; the stick insect that pretends to be what it’s not.

New creativity in the military art of disguise was spurred in the First World War by the threats of aerial reconnaissance and long-range enemy fire. By the 1970s, disruptive pattern uniforms were worn by soldiers of most nations, and had become as much a way of identifying allegiance as of protecting from detection. Today, as modern advances in imaging techniques make straightforward visual deception redundant, scientists are developing super high-tech solutions.

But camouflage has flourished in peace as well as in war.
Artists and designers have explored the themes and extremes of camouflage and optical illusion, while camouflage patterns in clothing and accessories have filtered from the street to the catwalk and back again.

Tim Newark is editor of Military Illustrated, the leading English-language military history and uniforms magazine.
Jonathan Miller is a doctor of medicine with a worldwide reputation for his work in opera, television and the visual arts.