Joseph Gandy

Joseph Gandy

An Architectural Visionary in Georgian England

  1. Brian Lukacher
  • ISBN 9780500342213
  • 28.00 x 25.00 cm
  • Hardback
  • 224pp
  • 205 Illustrations, 49 in colour
  • First published 2006
‘Lifts the veil on our greatest architectural artist…’ – The RA Magazine
‘Lukacher gives flesh to the bones of this visionary romanticist, and compellingly chronicles his decline and fall’ – RIBA Journal
‘A tremendous achievement …
a noble publication … Full credit to Thames & Hudson’
– State of Art
‘A stifled genius finally receives his due’ – Evening Standard
‘… it’s good to have Gandy back from the dead’ – New Statesman
‘Excellent … Gandy lived for posterity, and this book does him justice’ – Country Life

Joseph Gandy’s life is in many respects the familiar saga of genius unrecognized. Upon his death he seemed to the world, and to himself, a failure. Having begun his career with high hopes, great imagination and exceptional talent, he ended it in a state of neglect and obscurity.

That was in 1843. A century and a half later Gandy is recognized as one of the most original figures of English romanticism.

Works such as his unearthly Pandemonium or his luminous Tomb of Merlin have a hypnotic power that no other artist could surpass – a power that he brought to bear on Sir John Soane’s bizarre ‘Monk’s Parlour’ at his renowned house-musuem in Lincoln’s Inn and on the lost masterpiece of Soane’s Bank of England in the City of London, buildings that we have come to see through Gandy’s eyes.

Brian Lukacher, the acknowledged authority on Gandy, has now written the definitive life of this architect-artist who exemplified the cultural temper of the romantic period. It is a fresh, deeply researched biography and a critical assessment of Gandy’s work in its historical context. It is a tragic story but also an inspiring one, and a significant episode in the history of the architectural imagination and the visual arts during the nineteenth century.

Brian Lukacher has taught the history of art at Vassar College in New York since 1986. His research and publications have focused on the social history and aesthetic philosophy of late eighteenth- and nineteenth-century British art, and he is a contributing author to Nineteenth Century Art.