A Cultural History
- ISBN 9780500239100
- 22.90 x 15.20 cm
- 120 Illustrations, 109 in colour
- First published 2014
The self-portrait has become the defining visual genre of our confessional age, but modern artists are far from the first to have exploited its power and potential ...
‘Beautifully designed … delivers original and engaging interpretations’ – RA Magazine
‘Fascinating, erudite and beautifully produced … ’– The Sunday Times
'There is never a dull passage in this book: the detail is crisply imparted; the content richly arcane at times, but more usually profoundly human; the ideas come freshly coined. Hall manages to retain the intellectual high ground while writing with verve and enthusiasm. It is a creditable achievement, and, like all the best gifts, comes beautifully wrapped, in book production of the highest quality' – Frances Spalding, Guardian Online
‘This is really good art history, intelligent, knowledgeable and fired by ideas’– World of Interiors
In this broad cultural survey, art historian and critic James Hall brilliantly maps the history of self-portraiture, from the earliest myths of Narcissus to the prolific self-image-making of contemporary artists.
His intelligent and vivid account shows how artists’ depictions of themselves have been part of a continuing tradition that reaches back for centuries. Along the way he reveals the importance of the medieval ‘mirror craze’; the explosion of the genre during the Renaissance; the confessional self-portraits of Titian and Michelangelo; the role of biography for serial self-portraitists such as Courbet and van Gogh; themes of sex and genius in works by Munch, Bonnard and Modersohn-Becker; and the latest developments of the genre in the era of globalization.
The full range of self-portraits is covered here, from comic and caricature self-portraits to ‘invented’ or imaginary ones, as well as key collections of self-portraiture such as that of the Medici in Florence. Throughout, Hall asks why – and when – artists have chosen to make self-portraits, and looks deeply
into the worlds and mindsets of the artists who have created them.
Comprehensive and beautifully illustrated, the book features the work of a wide range of artists including Alberti, Caravaggio, Courbet, Dürer, Emin, Gauguin, Giotto, Goya, Kahlo, Koons, Magritte, Mantegna, Picasso, Raphael, Rembrandt and Warhol. Offering a rich and lively history, The Self-Portrait is an essential read for all those interested in this most enduringly popular and humane of art forms.
Also of interest
The Drawings of Rembrandt: A New Study
Man With a Blue Scarf: On Sitting for a Portrait by Lucian Freud
Auto Focus: The Self-Portrait in Contemporary Photography
The Body in Contemporary Art