An Eighteenth-Century European Fantasy
- ISBN 9780500252062
- 29.50 x 24.00 cm
- With 291 illustrations
- First published 2014
This is the first book to identify the key elements of what has become a popular and collectable area of fine and decorative art – turquerie
‘Deeply researched and lavishly illustrated, this is a gorgeous book with broad appeal … a serious and scholarly text’ – The World of Interiors
‘A fascinating insight into the historical background, the political context and the myths and realities of turquerie … With its sumptuous illustrations, this book would appeal to anyone interested in Ottoman culture, Orientalism or 18th-century decorative arts’– Cassone
'Haydn Williams’ lavishly illustrated volume gathers hundreds of examples that testify to a veritable vogue for 'turquerie', a fantasy no less compelling than the celebrated 'chinoiserie' of the age’– The Art Newspaper
‘A veritable – and beautiful – taxonomy … a fascinating glimpse into an increasingly collectible area of art’ – The Art Book
'Smart and beautifully illustrated … Williams does a masterly job distilling the many sophisticated histories and concepts that must be understood to fully appreciate the origins and manifestations of Turkish trends and tastes in Europe'– Burlington Magazine
At the end of the 17th century, the long-standing fear of the Turk in Europe was gradually replaced by fascination. Travellers’ accounts of the Ottoman lands, translations of works such as One Thousand and One Nights, and the magnificent spectacle of Ottoman ambassadors and their retinues were among the catalysts that inspired the creation of a European fantasy of this world for the delight of the ruling elite, a reverie that was only shattered by the French Revolution. Turbaned figures appeared in paintings, as ceramic figures, and on the stage; sumptuous boudoirs turcs were created; and crescent moons, palm trees and camels featured on wall panels, furniture and snuff boxes.
Turquerie was a theme that sparked varied responses in different places. Its most intense and long-lasting expression was in France, but its reach was broad – from a mosque folly in Kew Gardens to the Turkish tents erected along the Elbe to celebrate a royal marriage in Dresden in 1719; from an ivory statuette of a janissary created for King Augustus II of Poland to the costumes worn for a procession to celebrate carnival in Rome in 1748.
The subject is explored thematically within a broadly chronological framework, from early contacts between Europe and the Ottomans following the fall of Constantinople in 1453, through the great flourishing of turquerie in the 18th century, to the 19th century, when other interpretations, such as Orientalism, took hold. Focusing on categories, including painting, architecture, interiors and the theatre, Turquerie provides an engaging account of this whimsical European fantasy.
Haydn Williams, formerly a director and head of the objects of vertu and Russian works of art department at Sotheby’s, is now an independent fine art consultant. He was editor and principal author of Enamels of the World 1700–2000, and curator of the related exhibition at the State Hermitage Museum, St Petersburg, in 2009–10.