{"title":"Artist Monographs","description":"\u003cp\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eOur artist monographs are rich and in-depth analyses of the inner workings of the artist beyond the canvas. Offering new perspectives on the artists’ influences and inspiration, these books will deepen your understanding of the creative spirit.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"wall-andy-goldsworthy","title":"Wall: Andy Goldsworthy","description":"In 1989 Andy Goldsworthy constructed his \u003ci\u003eWall that Went for a Walk\u003c\/i\u003e in Grizedale Forest, Cumbria, which drew on the walling traditions of that area. Now, aided by a team of wallers from Scotland and the north of England, he has made its successor at the Storm King Art Center, a sculpture park in New York State - another farming landscape rich in stone walls.\u003cbr\u003e\u003cbr\u003eGoldsworthys wall takes its lead from an old, dilapidated wall which he found here. At first following the original foundations closely, his wall then describes a series of increasingly voluptuous arabesques before plunging down into a lake. Rising again on the other side, it heads straight up a grassy slope to stop dead when it reaches a major highway. As the seasons change, so does the wall. Heavily shaded in summer, smothered in a sea of yellow and brown leaves in the autumn, it has an almost calligraphic beauty in winter as it snakes through the bare trees and snow at the edge of a wood.\u003cbr\u003e\u003cbr\u003eThis sculpture marks a continuation of the dialogue between wood and stone which Goldsworthy has been exploring for some years. The original wall at Storm King was built after the forest had been cleared, yet he discovered its course in the line of trees that had grown through and around it. 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In contributions ranging from video and photography to installations, some twenty artists working across a variety of genres and media explore the Romantic era, its attitude to nature and the art of Caspar David Friedrich. The participants include Alex Grein, Swaantje Güntzel, Jochen Hein, Johanna Karlsson, Hiroyuki Masuyama, Loudmila Milanova, Mariele Neudecker, Ulrike Rosenbach, Susan Schuppli, Santeri Tuori and Kehinde Wiley. ","brand":"Thames and Hudson Ltd","offers":[{"title":"Default Title","offer_id":48591715434773,"sku":"9780500028339","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0832\/0503\/0165\/files\/9780500028339_CasparDavidFriedrich_Packshot4.jpg?v=1749835880"},{"product_id":"arthur-boyd","title":"Arthur Boyd","description":"Throughout the course of a very rich and varied life, Boyd was influenced and animated by many great themes. 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The result of sharp observation and affection, these paintings and drawings are lyrical studies in form and design while the text by the artist gives a glimpse of how to work with models who don't necessarily want to sit still. \u003cbr\u003e \u003cbr\u003e\u003ci\u003eFrom September 1993, I painted and drew my dogs. This took a certain amount of planning, since dogs are generally not interested in Art (I say generally only because I have now come across a singing dog. Food and love dominate their lives. \u003cbr\u003e \u003cbr\u003eI make no apologies for the apparent subject matter. These two dear little creatures are my friends. They are intelligent, loving, comical and often bored. They watch me work; I notice the warm shapes they make together, their sadness and their delights. 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His signature style of lines or bands of colour, alluding to architectural elements such as portals, windows and walls, is one of the most instantly recognizable in contemporary painting.\u003cbr\u003e\u003cbr\u003eThis book is the first fully illustrated monograph to present an account of the artist?s life and career to date, from his childhood in 1950s London, via New York and Barcelona, to the present day in Munich.\u003cbr\u003e\u003cbr\u003eLavish reproductions of Scully's major works illustrate the text, while photographs taken by him on his travels show some of the forms that inspire them. Photographs of Scully at work in his studio demonstrate stage by stage how he creates his pictures, from blank canvas to finished work.\u003cbr\u003e\u003cbr\u003eEminent art historian and critic David Carrier traces the development of Scully?s oeuvre and assesses its significance. 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Bacon portrayed the ordeal of the vulnerable, defencelessly exposed body like no other artist of his generation. His individuals are usually alone, isolated from their surroundings, trapped in empty, windowless rooms or behind the bars of cages. Bacon's figures act on stage-like platforms, doubled over in torment, sliding into formlessness. By wiping, scratching and erasures, Bacon converted the picture surface into a field of perpetual activity - and in the process, created images of great forcefulness, sensibility and beauty.\u003cbr\u003e\u003cbr\u003eBacon found his models not only in the history of art, but also in photographs of athletes, soccer players, or boxers in combat. He also betrayed a strong interest in the photographic sequences through which Eadweard Muybridge, in the later 19th century, registered the phases of a path of animal movement. 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