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Jarman, a passionate gardener from childhood, combined his painter's eye, his horticultural expertise and his ecological convictions to produce a landscape which combined the flints, shells and driftwood of Dungeness; sculptures made from stones, old tools and found objects; the area's indigenous plants; and shrubs and flowers introduced by Jarman himself. \u003cbr\u003e\u003cbr\u003eThis book is Derek Jarman's own record of how this garden evolved, from its earliest beginnings in 1986 to the last year of his life. More than 150 photographs taken since 1991 by his friend and photographer Howard Sooley capture the garden at all its different stages and at every season of the year. Photographs from all angles reveal the garden's complex geometrical plan, its magical stone circles and its beautiful and bizarre sculptures. 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It will appeal to all those who are themselves practising gardeners, as well as the legions of admirers of this extraordinary man.","brand":"Thames and Hudson Ltd","offers":[{"title":"Default Title","offer_id":47289036308757,"sku":"9780500016565","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0832\/0503\/0165\/products\/9780500016565_std_derek-jarmans-garden.jpg?v=1696310442"},{"product_id":"50-favourite-houses-by-frank-lloyd-wright","title":"50 Favourite Houses by Frank Lloyd Wright","description":"Houses were Frank Lloyd Wright’s favourite building type from the beginning to the end of his seventy-year career as an architect. To him the house was the centre of family life, symbolized by a warming hearth, and above all a place of repose. As \u003ci\u003e50 Favourite Houses by Frank Lloyd Wright\u003c\/i\u003e shows, his ideal home took on an amazing variety of forms.\u003cbr\u003e\u003cbr\u003eHere, from the architect’s first period, is his own home and studio in Oak Park, Illinois, an architectural laboratory for him over two decades. His 1920s California works, built of textured concrete blocks, were revolutionary, his 1930s houses, Fallingwater and Taliesin West, internationally renowned. 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These charming paintings and water-colours, mostly dating from 1770 to 1860 and coming from all over Europe, Russia and America, record with faithful accuracy the shape of a room, the pattern of a carpet, the furniture, pictures, fabrics and wall coverings, the hang of the curtains and the fall of the light they admit.\u003cbr\u003e\u003cbr\u003eThe pictures find their place in a complete survey of domestic – and some more palatial – interiors portrayed in art from the ancient world to the late 19th century, and including works by Vermeer, Hogarth, Dürer, Degas and Vuillard.\u003cbr\u003e\u003cbr\u003eThe text goes beyond scholarly commentary to present an evolving picture of men and women in relation to domestic surroundings, full of human interest, wit and wide-ranging cultural references.","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":47289202868501,"sku":"9780500233580","price":45.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0832\/0503\/0165\/products\/9780500233580.jpg?v=1696312266"},{"product_id":"oriental-carpet-design","title":"Oriental Carpet Design","description":"\u003ci\u003eHow can one tell a Persian carpet from a Romanian copy? Where did today's oriental carpet designs originate? How do the weavers' ethnic origins influence the artistic value of tribal rugs?\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThese are just a few of the hundreds of points that are considered in this comprehensive survey by P.R.J Ford who, drawing on his many years of experience in the trade, shows how to recognize the different structural and design features of oriental rugs and carpets. The full range of designs used throughout the Orient - from the Balkans to Peking - are grouped not according to the place of origin but according to the essential characteristics of the designs themselves. This approach illuminates the cultural background of each design, revealing at once the similarities between the interpretations of the various carpet-weaving areas.\u003cbr\u003e\u003cbr\u003eThe author shows the vital influence of the ethnographic histories of the various carpet-producing regions exercised over all important designs. Yet he is basically concerned with the present, with the millions of oriental carpets on sale today. Illustrations of representative examples of modern types, with descriptions of their key characteristics - construction, materials, sizes, colours - and of the clues which establish a rug's precise origins, appear together with a balanced appraisal of the qualities, good or bad, of modern production from any one town, village or tribal area. \u003cbr\u003e\u003cbr\u003eThe introduction presents an account of the general history and essential features of oriental carpets. 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Liotards fine portraits of Westerners in Turkish dress, Carpaccios turbanned figures and the coveted Turkey carpets that appear in paintings by Lotto and Holbein also bear witness to the Western fascination with all things Ottoman.\u003cbr\u003e\u003cbr\u003ePhilippa Scotts engaging and informative text explains how and why Turkey has been such a fount of inspiration in so many artistic and cultural fields  including painting, ceramics, textiles, interiors and fashion  for over five hundred years. 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