{"title":"Signed \u0026 Collector's Editions","description":"\u003cp\u003eMeet our most indulgent deluxe editions. Featuring sumptuous slipcases and exclusive signed copies, these collector’s editions are a cut above the rest.\u003c\/p\u003e","products":[{"product_id":"living-africa-limited-edition-with-leopard-print","title":"Living Africa (Limited Edition with Leopard print)","description":"Steve Bloom achieves here a truly breathtaking intimacy not only with the continent’s extraordinary animal life and natural environment but also with its diverse peoples. His remit is staggeringly comprehensive: landscapes from desert to jungle, wildlife from insect to great game, and human life from remote tribal village to teeming metropolis. In a series of essays, Bloom combines vivid personal experience with a passionate articulation of the challenges faced by Africa’s people and environment in the 21st century. 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The priceless objects now in the Tower of London were created to be the embodiment of sovereignty, and their story is that of the English monarchy itself – from the 12th-century spoon used for the anointing at the coronation to the platinum crown created for Queen Elizabeth The Queen Mother in 1937, set with the Koh-i-nûr diamond.\u003cbr\u003e\u003cbr\u003ePublished in association with the Royal Collection and Historic Royal Palaces, the book features specially commissioned photography, including many detailed shots, allowing individual pieces, the famous gems and carefully selected groups of objects to be viewed as never before.\u003cbr\u003e\u003cbr\u003eBased on original research and written by an expert in English court history, the book tells the story of the development of the collection from the medieval period onwards.\u003cbr\u003e\u003cbr\u003eThis special edition of \u003ci\u003eThe Crown Jewels\u003c\/i\u003e consists of a specially bound copy of Anna Keay's book together with a faithful reproduction of Joseph Robins's panoramic representation of Queen Victoria's Coronation Procession in Westminister Abbey on 28 June 1838. 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Inspired and informed by maps, aerial photographs and the latest electronic survey techniques, Hughes’s clean, spacious artworks, with their arresting blocks of colour, make contemporary some of the most ancient and formidable landmarks of the British Isles.\u003cbr\u003e\u003cbr\u003eHughes’s works – often incorporating written notes, archaeological scans and contour maps – feature important heritage sites, including Neolithic settlements such as Maes Howe in Orkney, standing stones such as Stonehenge, the Three Peaks in Yorkshire, or places of particular mystery and beauty such as Silbury Hill, the oldest and tallest artificial mound in Europe. Notebook spreads contain exquisite drawings and paintings made on the spot and vivid extracts from Hughes’s diaries and notes, help to evoke the mood and atmosphere of the awe-inspiring landscapes. 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Susan Owens follows Constable through the seasons, tracing the rhythms and resonances of the artist’s year to offer a vivid, unconventional perspective on this beloved figure. \u003cbr\u003e \u003cbr\u003eWhether in London in May, preparing pictures for exhibition and longing for the Suffolk spring, or painting boat-builders and waiting to be married in a particularly gloomy September, Constable’s life and work were unusually shaped by the yearly cycles of weather and agriculture, as well as by the often competing demands of the art world. Raised in Suffolk and trained to manage his father's land, his rural background had an enduring impact on his painting. His was the approach of one who knew the laneways, ploughs and millponds he painted intimately, and who understood the countryside as a place of both labour and natural phenomena. \u003cbr\u003e \u003cbr\u003eThough today he is often considered a traditional artist, in truth John Constable was a radical. 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