Black Art (World of Art)
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A groundbreaking book that explores the visual representations of black culture across the globe throughout the twentieth century and into the twenty-first
The African diaspora – a direct result of the transatlantic slave trade and Western colonialism – has generated a wide array of artistic achievements, from blues and reggae, to the paintings of the pioneering African American artist Henry Ossawa Tanner and video creations of contemporary hip-hop artists. This book concentrates on how these works, often created during times of major social upheaval and transformation, use black culture both as a subject and as context. From musings on “the souls of black folk” in late nineteenth-century art, to questions of racial and cultural identities in performance, media, and computer-assisted arts in the twenty-first century, this book examines the philosophical and social forces that have shaped a black presence in modern and contemporary visual culture.
Now updated, this new edition helps us understand better how the first two decades of the twenty-first century have been a transformative moment in which previous assumptions about race, difference, and identity have been irrevocably altered, with art providing a useful lens through which to think about these compelling issues.
The African diaspora – a direct result of the transatlantic slave trade and Western colonialism – has generated a wide array of artistic achievements, from blues and reggae, to the paintings of the pioneering African American artist Henry Ossawa Tanner and video creations of contemporary hip-hop artists. This book concentrates on how these works, often created during times of major social upheaval and transformation, use black culture both as a subject and as context. From musings on “the souls of black folk” in late nineteenth-century art, to questions of racial and cultural identities in performance, media, and computer-assisted arts in the twenty-first century, this book examines the philosophical and social forces that have shaped a black presence in modern and contemporary visual culture.
Now updated, this new edition helps us understand better how the first two decades of the twenty-first century have been a transformative moment in which previous assumptions about race, difference, and identity have been irrevocably altered, with art providing a useful lens through which to think about these compelling issues.
Edition type: Third edition
Extent: 360 pp
Format: Paperback
Illustrations: 218
Publication date: 2021-09-30
Size: 21.0 x 15.0 cm
ISBN: 9780500204665
Introduction: The Dark Centre
1. Art, Culture and “the Souls of Black Folk”
2. Enter and Exit the “New Negro”
3. The Cult of the People
4. Pride, Assimilation, and Dreams
5. “Black is a Colour”
6. Culture as Currency
7. Through a Glass, Diasporally
8. Fin-de-Siècle Blues
9. The Price of Blackness
Bibliographical Notes
Select Bibliography and Sources
List of Illustrations 00 Index
1. Art, Culture and “the Souls of Black Folk”
2. Enter and Exit the “New Negro”
3. The Cult of the People
4. Pride, Assimilation, and Dreams
5. “Black is a Colour”
6. Culture as Currency
7. Through a Glass, Diasporally
8. Fin-de-Siècle Blues
9. The Price of Blackness
Bibliographical Notes
Select Bibliography and Sources
List of Illustrations 00 Index
Press Reviews
Thelma Golden, Director and Chief Curator of The Studio Museum in Harlem, New York City
Zoé Whitley, Director, Chisenhale Gallery
Booklist
International Review of African American Art
About the Author
Richard J. Powell is the John Spencer Bassett Professor of Art and Art History at Duke University, Durham, North Carolina, where he has taught since 1989. His publications include: The Blues Aesthetic: Black Culture and Modernism; Cutting a Figure: Fashioning Black Portraiture; Going There: Black Visual Satire; and Homecoming: The Art and Life of William H. Johnson. From 2007 until 2010, Powell was Editor-in-Chief of The Art Bulletin.
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