The essential handbook for students, arts professionals and other aspiring writers on contemporary art.
How to Write About Contemporary Art is the definitive guide to writing, engagingly about the art of our time. Invaluable for students, art professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs.
In counselling the reader against common pitfalls - such as jargon and poor structure - Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl and Adam Szymczyk.
Supplemented by a general bibliography, advice on the use and misuse of grammar and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today.
How to Write About Contemporary Art is the definitive guide to writing, engagingly about the art of our time. Invaluable for students, art professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs.
In counselling the reader against common pitfalls - such as jargon and poor structure - Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl and Adam Szymczyk.
Supplemented by a general bibliography, advice on the use and misuse of grammar and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today.
Extent: 264 pp
Format: Paperback with flaps
Publication date: 2014-09-01
Size: 21.0 x 14.0 cm
ISBN: 9780500291573
Introduction • Section 1. The Job – Why Write about Contemporary Art? • Section 2. The Practice – How to Write about Contemporary Art • Section 3. The Ropes – How to Write Contemporary Art Formats
Press Reviews
Hans Ulrich Obrist, co-Director, Serpentine Gallery
Michael Bracewell, critic and novelist
frieze
Fullscream.com
About the Author
Gilda Williams is a contemporary art critic, editor and teacher. She is a lecturer on the MFA in Curating programme, Goldsmiths College, and Sotheby’s Institute of Art. She is London correspondent for Artforum magazine and a member of the International Association of Art Critics.
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