When we look at the landscape, what do we see? Do we experience the view over a valley or dappled sunlight on a path in the same way as those who were there before us? We have altered the countryside in innumerable ways over the last thousand years, and never more so than in the last hundred. How are these changes reflected in – and affected by – art and literature?
British landscape painting is often said to be an invention of the eighteenth century. Yet when we look for representations of the country in British art and literature, we find a story that begins with Old English poetry and continues its winding path up to the present day. People have sat down to write about the land, and to draw and paint it, for as long as they have had materials to do so.
Spirit of Place offers a panoramic view of the British landscape as seen through the eyes of writers and artists from Bede and the Gawain-poet to Gainsborough, Austen, W. G. Sebald and Barbara Hepworth. Shaped by these distinctive voices and evocative imagery, this book describes how the British landscape has been framed, reimagined and reshaped by each generation. Each account or work of art, whether illuminated in a manuscript, jotted down in a journal or constructed from sticks and stones, holds up a mirror to its maker and their world.
British landscape painting is often said to be an invention of the eighteenth century. Yet when we look for representations of the country in British art and literature, we find a story that begins with Old English poetry and continues its winding path up to the present day. People have sat down to write about the land, and to draw and paint it, for as long as they have had materials to do so.
Spirit of Place offers a panoramic view of the British landscape as seen through the eyes of writers and artists from Bede and the Gawain-poet to Gainsborough, Austen, W. G. Sebald and Barbara Hepworth. Shaped by these distinctive voices and evocative imagery, this book describes how the British landscape has been framed, reimagined and reshaped by each generation. Each account or work of art, whether illuminated in a manuscript, jotted down in a journal or constructed from sticks and stones, holds up a mirror to its maker and their world.
Extent: 352 pp
Format: Hardback
Illustrations: 80
Publication date: 2020-08-30
Size: 23.4 x 15.3 cm
ISBN: 9780500252604
Introduction • 1. Mystery • 2. Reflection • 3. Discovery • 4. Imagination • 5. Sensation • 6. Vision • 7. Feeling • Presence
Press Reviews
Alexandra Harris
Fiona Stafford, author of The Long, Long Life of Trees and The Brief Life of Flowers
About the Author
Dr Susan Owens is an art historian and exhibition curator who has worked at the Royal Collection and the Victoria and Albert Museum. Her previous books include The Ghost: A Cultural History, described by the Guardian as ‘eloquent and lively’, and Who Shall Deliver Me? Christina Rossetti: Poetry in Art.
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