Chicago is also an author, teacher, feminist and activist, and far from dividing the focus of her work these identities are integral to her work as an artist, driving her efforts to achieve what has been a lifelong aim: a more just and equitable world for all beings. Written on the eve of her first-ever career retrospective at the age of eighty-two, after decades on the margins of the art world, which devalued her work for its feminist content, The Flowering is an answer to and reflection upon her previous autobiographical writings, as well as a critically necessary update to her story of resilience. It will be a call to action for those who have supported her from the beginning and for a new generation.
1. Introduction
2. Coming of Age
3. Making a Professional Life
4. Becoming Judy Chicago
5. Making Feminist Art
6. Learning from the Past
7. Back to L.A., and Womanhouse
8. Dreaming Up the Dinner Party
9. Controversy? What Controversy?
10. Giving Birth to the Birth Project
11. Is There an Alternative to the Art World?
12. Expanding My Gaze
13. If You Don’t Have, You Can’t Lose
14. Why the Holocaust?
15. The Dinner Party Goes to Congress
16. Lost in Albuquerque! Found in Belen?
Afterword
Press Reviews
Hans Ulrich Obrist, Artistic Director of the Serpentine Galleries
Maria Grazia Chiuri, Creative Director of Women’s Collections, Dior
Gloria Steinem
TIME
Judy Chicago is an artist, author, feminist and educator whose career spans almost six
decades. Her work is in the collections of the Metropolitan Museum of Art; the Art Institute of Chicago; LACMA: the Los Angeles Museum of Contemporary Art; the Hammer Museum; the Getty Trust; and SFMOMA. Gloria Steinem is an American feminist and social political activist who became nationally recognized as a leader and a spokeswoman for the American feminist movement in the late 1960s and early 1970s.
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