What does the breathtakingly beautiful art depicted on the walls of caves such as Lascaux, Chauvet and Altamira, tell us about the nature of the ancestral mind? How did these images spring, seemingly from nowhere into the human story?
The Mind in the Cave puts forward the most plausible explanation yet proposed for the origins of image-making and art. This is a masterful piece of detective work, casting light on the darkest mysteries of our earliest ancestors and on the nature of our own consciousness and experience.
The Mind in the Cave puts forward the most plausible explanation yet proposed for the origins of image-making and art. This is a masterful piece of detective work, casting light on the darkest mysteries of our earliest ancestors and on the nature of our own consciousness and experience.
Extent: 320 pp
Format: Paperback with flaps
Illustrations: 94
Publication date: 2004-04-05
Size: 23.4 x 15.6 cm
ISBN: 9780500284650
Preface; Three Time-Bytes; 1. Discovering Human Antiquity; 2 Seeking Answers; 3. Creative Illusion; 4. The Matter of the Mind; 5. Case Study 1: Southern African San Rock Art; 6. Case Study 2: North American Rock Art; 7. An Origin of Image-Making; 8. The Cave in the Mind; 9. Cave and Community; 10. Cave and Conflict
Press Reviews
Colin Renfrew, University of Cambridge
Chris Stringer, Evening Standard
Observer
Jean Clottes
About the Author
David Lewis-Williams is Professor Emeritus and Senior Mentor in the Rock Art Research Institute, University of the Witswatersrand, Johannesburg. Among his books are The Mind in the Cave, Inside the Neolithic Mind (with David Pearce) and The Shamans of Prehistory (with Jean Clottes).
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