The author ranges widely across media and genres, offering new readings of paintings, murals, sculptures, buildings, prints and photographs. He interprets major works by such famous artists as Diego Rivera and Frida Kahlo, but also discusses less familiar figures who were equally important in the construction of national identity.
The story of Mexican art is set in its rich historical context by the book’s treatment of political and social change. The author draws on recent scholarship to examine crucial issues of race, class and gender, including an exploration of the work of indigenous artists during the colonial period, and of women artists in the nineteenth and twentieth centuries.
Throughout, Oles shows how artists in Mexico participated in local and international developments, and highlights the important role played by Mexicans in the art world of the last five centuries.
The story of Mexican art is set in its rich historical context by the book’s treatment of political and social change. The author draws on recent scholarship to examine crucial issues of race, class and gender, including an exploration of the work of indigenous artists during the colonial period, and of women artists in the nineteenth and twentieth centuries.
Throughout, Oles shows how artists in Mexico participated in local and international developments, and highlights the important role played by Mexicans in the art world of the last five centuries.
Extent: 432 pp
Format: Paperback
Illustrations: 275
Publication date: 2013-07-29
Size: 21.0 x 15.0 cm
ISBN: 9780500204061
Introduction • Chapter 1: Conquest and Negotiation 1520–1600 • Chapter 2: Art for the New Cities 1550–1700 • Chapter 3: Baroque Splendor under the Bourbons 1700–1810 • Chapter 4: From Neoclassicism to Romanticism 1750–1850 • Chapter 5: National Identity: History, Landscape, Citizens 1840–80 • Chapter 6: From the Porfiriato to the Revolution 1880–1920 • Chapter 7: From Revolution to Renaissance 1920–34 • Chapter 8: Political and Personal Dreams 1934–46 • Chapter 9: Construction and Rebellion 1946–72 • Chapter 10: From the Olympics to Neo-Mexicanism 1968–94 • Chapter 11: Contemporary Art
Press Reviews
Alan Knight, Oxford University
About the Author
James Oles is Senior Lecturer in Art at Wellesley College, Massachusetts, and adjunct curator of Latin American art at the college’s Davis Museum and Cultural Center.
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