In a world in which many photographers seek to avoid definition, Roger Ballen’s photographs define themselves in their defiance of classification and genre: his world stands out as one of a kind.
The black-and-white images featured in Asylum of the Birds were created exclusively within the confines of a house in a Johannesburg suburb, the location of which remains a guarded secret. The inhabitants of the house, both human and animal – including, most notably, the ever-present birds – are the cast of Ballen’s world, performers amidst the theatrical interiors that they create and he orchestrates. The resulting images exist in a space between painting, drawing, installation and photography. They are timeless, psychologically powerful and masterfully composed.
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British Journal of Photography
Hungry Eye
Daily Telegraph
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Roger Ballen is the recipient of numerous awards, including ‘Photographer of the Year’ at Rencontres d’Arles in 2002 and ‘Photography Book of the Year’ for Outland at Photo España in 2001.
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