Bridget Riley: The Complete Prints

1962-2020

£45.00
£45.00

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A completely up-to-date catalogue raisonné of Bridget Riley’s graphic work.

Bridget Riley has made screenprints throughout her career, extending the principles of her paintings into a new, reproducible medium. Bringing together the complete, updated inventory of this substantial body of work, this volume explores Riley's development as a printmaker and her relationship to the screenprint medium.

Newly revised, updated and designed, this catalogue raisonn? richly illustrates Bridget Riley's graphic work in a larger, enhanced format. Alongside a full-colour inventory of the prints are updated essays by Lynn MacRitchie and Craig Hartley and an additional essay by Robert Kudielka, which provide a greater context for Riley's work. This revised volume, a co-publication with The Bridget Riley Art Foundation, also benefits from supplemental material including an artist biography and selected solo and group exhibition history.
Extent: 296 pp
Format: Hardback
Illustrations: 155
Publication date: 2020-09-10
Size: 27.0 x 24.5 cm
ISBN: 9780500971093

Press Reviews

Magnificent graphics works from the doyenne of op art
Harper's Bazaar

Masterclasses in rhythm, repetition and precision
World of Interiors

The best of her screen prints have all the energy and astonishingly subtle sense of the colour and rhythm of her paintings. Their quality is well conveyed by this comprehensive volume
The Spectator

An expansive look at how printmaking has played a crucial part in the practice of the Op Art trailblazer over the past six decades … offers new context to the graphic power of Riley’s oeuvre
Art Society Magazine

About the Authors

Lynn MacRitchie has been active as an artist and writer since the 1970s. Craig Hartley was formerly the curator in charge of prints at the Fitzwilliam Museum, Cambridge. Robert Kudielka is the Professor Emeritus of Aesthetics and Philosophy of Art at the University of the Arts, Berlin.

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