In addition to some of his best-known photographs, here are many seldom seen or unpublished images, and some rarities in colour as well as black and white.
This is an indispensable work for lovers of photography and admirers of Henri Cartier-Bresson, whose influence continues to endure so powerfully today.
His work embraced art, politics, revolution and war. But more powerful than any of these overarching themes was his evident concern for the human individual at every social level. Cartier-Bresson’s observations of the effects of poverty and revolution around the world led directly to his pioneering photojournalism, and his co-founding of Magnum Photos. He also became renowned for his penetrating portraits of the most prominent figures of his time: Cartier-Bresson’s biographer Pierre Assouline called him ‘the eye of the century’.
‘A must for lovers of photography’ – The Mail on Sunday
This is an indispensable work for lovers of photography and admirers of Henri Cartier-Bresson, whose influence continues to endure so powerfully today.
His work embraced art, politics, revolution and war. But more powerful than any of these overarching themes was his evident concern for the human individual at every social level. Cartier-Bresson’s observations of the effects of poverty and revolution around the world led directly to his pioneering photojournalism, and his co-founding of Magnum Photos. He also became renowned for his penetrating portraits of the most prominent figures of his time: Cartier-Bresson’s biographer Pierre Assouline called him ‘the eye of the century’.
‘A must for lovers of photography’ – The Mail on Sunday
Extent: 400 pp
Format: Hardback
Publication date: 2014-03-24
Size: 29.5 x 24.5 cm
ISBN: 9780500544303
Introduction • 1. Early Years • 2. An Attraction to the Surreal • 3. Activism • 4. Cinema and War • 5. Photojournalism • 6. Visual Sociology • 7. After Photography
Press Reviews
The Good Book Guide
Black & White Photography
British Journal of Photography
Mail on Sunday
About the Author
Clément Chéroux is senior curator of photography at the San Francisco Museum of Modern Art. He was formerly head curator of photography at the Centre Pompidou, Paris.
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