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The Graphic Work of Philippe Apeloig

£48.00
£48.00

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A consistent vision pervades the design of Philippe Apeloig

A consistent vision pervades the design of Philippe Apeloig. He has crafted a visual language strongly connected to rhythm, structure, pattern, space and choreography, a language that invites us to wander through a thicket of letters, lines and shapes that coalesce into something magical.

Apeloig’s career began in 1985 when he designed the poster for the Musée d’Orsay’s first exhibition, ‘Chicago, Birth of a Metropolis’. He has since created many more seminal posters and his own typefaces, including Octobre and Drop.

This book, originally published to accompany a major exhibition at the Musée des Art Décoratifs, Paris, surveys and explores the entirety of Apeloig’s graphic design process and philosophy, reproducing posters, logos, visual identities, books and animations, and analysing the influences that fuel his work.
Extent: 384 pp
Format: Hardback without Jacket
Publication date: 2013-11-11
Size: 24.0 x 29.5 cm
ISBN: 9780500517222
Introduction: Jean-Jacques Aillagon • Signs of Life: Alice Morgaine • A is for Apeloig: Ellen Lupton • Museum Work • Performing Arts • Publishing and Printing • Typographic Posters • Visual Identities • Sketches
About the Authors

Alice Morgaine was artistic director of the Verrière-Hermès gallery in Brussels from 1999 to 2012, and previously worked as a journalist with L’Express and Jardin des modes. She is now an advisor to the artistic director of Hermès.

Tino Grass is a Cologne-based graphic designer. Since 2008 he has been teaching visual communication and typography in several universities.

Ellen Lupton is the curator of contemporary design at the Smithsonian’s Cooper-Hewitt, National Design Museum in New York, and the author of several books.

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