What happens when we look: David Campany on photography’s flux
In this essay from his book ‘On Photographs’, David Campany examines the seemingly ordinary act of looking at a photograph. Unpredictable and inscr...
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Painting, polyamory and enduring love: John Nash and Christine Kühlenthal
This moving extract from ‘John Nash: The Landscape of Love and Solace’ details the enduring and unconventional love shared by painter John Nash and...
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'A certain amount of the wild': Bridget Riley’s prints
This essay by Professor Robert Kudielka, extracted from ‘Bridget Riley: The Complete Prints’, explores the artist’s dynamic ventures in printmaking...
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A Seaside Album: Lartigue and the spirit of early 20th-century France
Pg 104-105 Anna la Pradvina, Bois de Boulogne, 1911. During the nineteenth century, an ‘irresistible awakening of a collective desire for the sho...
